![\"uvshlogo\"](\"http:\/\/52.28.3.21\/wp-content\/uploads\/2015\/03\/uvshlogo.jpg\")
<\/a><\/p><\/p>\n\n\n\nUloge:<\/p><\/p>\n\n\n\n
Devojke:
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Vendla – Lea BLASK\u00d3
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Marta – Judit L\u00c1SZL\u00d3
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Ilse – Bea SZ\u00c9KELY
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Tea – Sztaniszlava ORLOVITY
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Ana – Judit VEREBES
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Luiz – T\u00edmea F\u00dcL\u00d6P <\/p><\/p>\n\n\n\n
Momci:
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Melhior – Csongor BERTA
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Moric – Bence SZALAI
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Han\u0161en – \u00c1ron SZIL\u00c1GYI
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Ernst – Zolt\u00e1n R\u00d3KUS
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Oto – R\u00f3bert OZSV\u00c1R <\/p><\/p>\n\n\n\n
Odrasli:
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Mu\u0161karac – \u00c1rp\u00e1d M\u00c9SZ\u00c1ROS
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\u017dena – Ter\u00e9zia FIGURA<\/p><\/p>\n\n\n\n
NOVOSADSKO POZORI\u0160TE\/\u00daJVID\u00c9KI SZ\u00cdNH\u00c1Z <\/strong> \u201cNeoplanta\u201d, najgledanija predstava u Vojvodini, dalje, ka\u017eu, nisu merili. Odu\u0161evila je Sterijino pozorje, bila njegov apsolutni pobednik. Bitefova publika ocenila ju je najboljom a \u017eiri je dao nagradu njenom reditelju. Publika Bor\u0161tnikovih susreta u Mariboru dugo joj je aplaudirala, ravnodu\u0161ni nisu bili ni, poslovi\u010dno uzdr\u017eani, purgeri na Gavelinim ve\u010derima u Zagrebu dok su na Bijenalu crnogorskog teatra u Podgorici ustvrdili da kod njih ve\u0107 jako dugo nije gostovala tako uzbudljiva predstava… Isto je reagovala i u publika u Budimpe\u0161ti, Temi\u0161varu\u2026<\/p><\/p>\n\n\n\n Ovako bi mogla da po\u010dne jedna od pri\u010da o Novosadskom pozoristu\/Ujvideki sinhaz\u2026 Moglo bi se, umesto \u201cNeoplanta\u201d, upisati i \u201cOpera ultima\u201d, na primer, pa dodati – apsolutni \u0161ampion festivala POST u Pe\u010duju\/Ma\u0111arska. Na istom mestu mogle bi se na\u0107i jo\u0161 \u201c\u010covekova tragedija\u201d, \u201cPomorand\u017eina kora\u201d, \u201cSan letnje no\u0107i\u201d\u2026 Ili pak \u201c\u010carobnjak iz Oza\u201d, nastao u koprodukciji sa NOMUS-om pre nekoliko godina\u2026 Sve briljantne pozori\u0161ne koordinate\u2026<\/p><\/p>\n\n\n\n Novosadsko pozori\u0161te utemeljilo se u poslednjih godinu dana u regionalno referentan teatar. Njegovi glumci, po\u010dev\u0161i od veterana u nagra\u0111ivanju Arona Bala\u017ea, Silvije Kri\u017ean i Emine Elor do – uvek izvanrednih – I\u0161tvana Kere\u0161ija, Agote Ferenc, Arpada Mesaro\u0161a\u2026 mera su gluma\u010dke vrednosti za pozori\u0161nu kritiku u nas ali i za publiku ovog teatra.<\/p><\/p>\n\n\n\n Sa scene Ujvideki sinhaza govori se ma\u0111arski, me\u0111utim, sve predstave sa redovnog repertoara imaju simultani prevod na srpski. Tako se na najkonkretniji na\u010din pokazuje da je mogu\u0107e da ljudi me\u0111usobno govore i razumeju se. Dovoljno je samo hteti.<\/p><\/p>\n","protected":false},"excerpt":{"rendered":" Transformacije i transpozicije 1 Frank Wedekind \u2013 Duncan Sheik \u2013 Steven Sater: BU\u0110ENJE PROLE\u0106A, mjuzikl, premijera Re\u017eija: Zolt\u00e1n PUSK\u00c1S Scenografija: 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