{"id":3540,"date":"2019-02-21T12:19:37","date_gmt":"2019-02-21T11:19:37","guid":{"rendered":"http:\/\/muzickaomladina.org\/?post_type=event&#038;p=3540"},"modified":"2026-04-11T14:02:08","modified_gmt":"2026-04-11T13:02:08","slug":"anthony-marwoodviolina-aleksandar-madzar-klavir","status":"publish","type":"events","link":"http:\/\/muzickaomladina.org\/?events=anthony-marwoodviolina-aleksandar-madzar-klavir","title":{"rendered":"ANTHONY MARWOOD, violina &#038; ALEKSANDAR MAD\u017dAR, klavir"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><p>Nomus 2019.<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">P r o g r a m:<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">F. SCHUBERT: Sonata br.1 u D-duru, za violinu i klavir<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">E. ELGAR: Sonata br.2 u e-molu, op.82, za violinu i klavir<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">***<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C.DEBUSSY: Sonata u g\u2013molu, za violinu i klavir<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">S. PROKOFJEV:Sonata br.2 u D-duru, op.94a<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p>Prodaja ulaznica i informacije u Muzi\u010dkoj omladini Novog Sada (Katoli\u010dka porta 2, tel. 021\/452-344), radnim danima od 8h do 14h, kao i dva sata pred po\u010detak koncerta na mestu odr\u017eavanja. On-line rezervacije i kupovina karata:<a href=\"http:\/\/online.muzickaomladina.org\/karte\/\/#\/login\"> www.muzickaomladina.org<\/a><br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cene ulaznica:1.000,00 dinara parter sredina i galerija i 800,00 dinara parter sa strane<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p>Pokrovitelj festivala Nomus 2019: Grad Novi Sad<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p><strong>ENTONI MARVUD<\/strong>, violina, Velika Britanija<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Britanski umetnik \u0161iroko je poznat po izuzetnoj ekspresivnoj snazi. Zahvaljuju\u0107i svojoj enegi\u010dnoj prirodi i spremnosti na razli\u010dite vrste muzi\u010dke saradnje, rado je vi\u0111en gost brojnih kamernih orkestara kao solista, koncertmajstor ili umetni\u010dki rukovodilac, pa je tako dobro poznat i kao glavni partner Kanadskog kamernog orkestra \u201eLes Violons du Roy\u201d, s kojim nastupa od 2015. godine. U sezoni 2016\/17. bio je rezidencijalni umetnik Norve\u0161kog kamernog orkestra, a redovno svira i s Australijskim kamernim orkestrom, Simfonijetom \u201eTapiola\u201d iz Helsinkija i Simfonijskim orkestrom iz Adelejda. Marvudov ugled kao izvanrednog soliste doneo mu je saradnju sa slavnim dirigentima poput Valerija Gergijeva, ser Endrjua Dejvisa, Dejvida Robertsona, Daglasa Bojda, D\u017eejmija Martina, Tomasa Sondergorda i Bernara Labadija, kao i svetskih orkestara poput Losan\u0111eleske filharmonije, Bostonskih i Sidnejskih simfoni\u010dara ili Orkestra Gevandhausa iz Lajpciga. Njegov program teku\u0107e sezone 2018\/19. uklju\u010duje i rad sa Simfonijetom iz Amsterdama, Oklandskom filharmonijom s Novog Zelanda, Simfoni\u010darima Sent Luisa i Kamernim orkestrom \u201eNew Century\u201d, brojne projekte kamerne muzike, kao i resitale \u0161irom Vellike Britanije s pijanistom Aleksandrom Mad\u017earom i violon\u010delistom Stivenom Iserlisom. Entoni Marvud je i p\u0430sionirani interpretator savremene muzike, koju tuma\u010di u razli\u010ditim programima, paralelno s tradicionlnim repertoarom. Me\u0111u novijim delima nalazi se i njemu posve\u0107en Violinski concert \u201eConcentric Paths\u201d Tomasa Adesa, koji je premijerno izveo u Berlinu s Evropskim kamernim orkestrom pod rukovodstvom kompozitora. Kako je delo steklo retku popularnost me\u0111u modernim koncertima za violinu i orkestar, Marvud je nastavio s njegovim predstavljanjem s vode\u0107im orkestrima \u0161irom sveta, svoj aktuelni savremeni repertoar oboga\u0107uju\u0107i i ostvarenjima Sali Bimi\u0161, Stivena Makija i Semjula Adamsa. Svoj 50. ro\u0111endan violinista je obele\u017eio snimkom Violinskog koncerta Vilijama Voltona, ostvarenim kod izdava\u010dke ku\u0107e \u201eHyperion\u201d sa \u0160kotskim simfonijskim orkestrom Bi-Bi-Sija i dirigentom Martinom Brabinsom. Interpretacija je dobila izuzetne ocene krtike u \u010dasopisima The Gardian, Classical Source i The Strad Magazine, a Sunday Times je umetnika hvalio kao \u201euzbudljivog virtuoznog solistu\u201d. Marvudovi zapisi violinskih sonata \u0160umana i Bramsa s Aleksandrom Mad\u017earom za \u201eWigmore Live\u201d tako\u0111e su visoko vrednovani i nagra\u0111eni. Marvud je i jedan od umetni\u010dkih direktora Festivala kamerne muzike u Pismar\u0161u u isto\u010dnom Saseksu, koji je 2018. proslavio dve decenije postojanja, a svake godine nastupa na Festivalu \u201eYelow Barn\u201d u jugoisto\u010dnom Vermontu (SAD). Blisko sara\u0111uje s Australijskom nacionalnom muzi\u010dkom akademijom u Melburnu i \u0161kolom \u201eGuildhall\u201c u Londonu. Svira na violini \u201eCarlo Bergonzi\u201d iz 1736, a koristi i novi instrument Kristijana Bajona, izgra\u0111en 2018. godine.<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p><a href=\"http:\/\/muzickaomladina.org\/wp-content\/uploads\/2019\/02\/antoni-marvud-foto.jpg\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1000\" class=\"alignnone size-full wp-image-3543\" src=\"http:\/\/muzickaomladina.org\/wp-content\/uploads\/2019\/02\/antoni-marvud-foto.jpg\" alt=\"\" srcset=\"http:\/\/muzickaomladina.org\/wp-content\/uploads\/2019\/02\/antoni-marvud-foto.jpg 800w, http:\/\/muzickaomladina.org\/wp-content\/uploads\/2019\/02\/antoni-marvud-foto-240x300.jpg 240w, http:\/\/muzickaomladina.org\/wp-content\/uploads\/2019\/02\/antoni-marvud-foto-768x960.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p><strong>ALEKSANDAR MAD\u017dAR<\/strong>, klavir, Belgija<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eMa\u0161tovitost njegovog sviranja ogleda se u izboru programa \u2013 sve to govori o umetniku \u010diji su horizonti daleko \u0161iri nego \u0161to je slu\u010daj kod mnogih njegovih vr\u0161njaka&#8230; zaista izuzetno.\u201d \u2013 Gardijan<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pobednik je takmi\u010denj\u00e2 u \u017denevi (1986) i u Bolcanu (\u201eFerruccio Busoni\u201d, 1989), a u Lidsu (1996) je osvojio tre\u0107u nagradu. Povodom osvajanja nagrade na Takmi\u010denju pijanista u Lidsu, i kriti\u010dar Tajmsa D\u017eerald Larner je opisao Mad\u017eara kao \u201enajma\u0161tovitijeg muzi\u010dara me\u0111u finalistima\u201d. Posle ovog uspeha karijera umetnika je vrtoglavo napredovala, prvenstveno na britanskoj muzi\u010dkoj sceni, gde je kao veoma tra\u017eeni solista nastupao s Kraljevskom filharmonijom, Bi-Bi-Sijevim orkestrima Velsa, \u0160kotske i Belfasta, Filharmonijom Bi-Bi-Sija, kao i \u0160kotskim kamernim orkestrom. Tako\u0111e je koncertirao \u0161irom Evrope i Azije pod dirigentskim vo\u0111stvom Paava Berglunda, Ivana Fi\u0161era, Paava Jarvija, Karlosa Kalmara, D\u017eona Nelsona, Libora Pe\u0161eka, Andrea Previna, Andrisa Nelsonsa, a kasnije i Mar\u010dela Viotija. Svirao je i kao solista s Berlinskom filharmonijom, Evropskim kamernim orkestrom, radijskim orkestrima Kelna i Frankfurta, s \u010ce\u0161kom filharmonijom, Irskim kamernim orkestrom, Beogradskom filharmonijom, Nacionalnim orkestrom Belgije, Budimpe\u0161tanskim festivalskim orkestrom, \u0160tutgartskom filharmonijom, Seulskom filharmonijom pod palicom Munga Vuna \u010cunga. U kamernom muziciranju partner mu je violinista Ilja Gringolc (s kojim je izveo sve Betovenove violinske sonate na Nomusu 2007, festivalima u Verbijeu, Kjotu i Ju\u017enoj Americi), kao i sopran Julijane Banze, s kojom je nastupao u Bilbaou, Valensiji i Lisabonu. Debijem na Me\u0111unarodnom pijanisti\u010dkom festivalu u Majamiju u sezoni 2007\/08. postigao je fascinantan uspeh da bi mu slede\u0107e dve, izme\u0111u ostalih anga\u017emana, donele i solisti\u010dke koncerte na razli\u010ditim kontinentima, posebno u Kini, ali i u Tokiju i Kardifu, najzad i saradnju s holandskom violinistkinjom ruskog porekla Lizom Fer\u010dman. S njom je nastupao u Holandiji (Hag) i amsterdamskoj dvorani Koncertgebaua. Veliki odjek do\u017eivela je i najnovija Mad\u017earova velika australijska turneja izvedena septembra 2017. s izvanrednim nema\u010dko-francuskim violon\u010delistom mla\u0111e generacije Nikolasom Alt\u0161tetom na festivalu \u201eMusica Viva\u201d, umetnikom poznatim i festivalskoj publici Nomusa, tako\u0111e i posetiocima koncerata Vojvo\u0111anskih simfoni\u010dara s kojima je nastupio kao solista. Bio je to sjajni nastavak inspirativne saradnje dvojice umetnika zapo\u010dete u Sidneju na istoj manifestaciji 2015. Za ovu drugu pripremili su dva opse\u017ena programa muzike nastale u \u0161irokom stilskom rasponu, od velikih sonata Bramsa, Debisija, \u0160ostakovi\u010da i Barbera, do ostvarenja Na\u0111e Bulan\u017ee i novog dela mladog australijskog kompozitora Jakuba Jankovskog.<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Aleksandar Mad\u017ear je odr\u017eao brojne resitale u Evropi, Americi i Aziji, me\u0111u kojima su i koncerti u Berlinu, Parizu, Londonu, Briselu, Firenci, Amsterdamu, Hagu, Milanu, Hamburgu, Minhenu, Edinburgu, Pragu, Bonu, Bostonu, Beogradu. Ostvario je turneje u Japanu, Kini, SAD-u i Kolumbiji, u\u010destvovao na brojnim festivalima, kao \u0161to su: Bemus i Nomus, Festival Ive Pogoreli\u0107a, zatim festivali u Bad Kisingenu, \u0160lezvig-Hol\u0161tajnu, Badu Verishofenu, Verbijeu, Ruru, Davosu, Salcburgu, Aldeburgu, Lucernu, Delftu.<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Snimao je za nema\u010dku diskografsku ku\u0107u \u201eBMG\/Classic FM\u201d (\u0160openovi klavirski koncerti sa Simfonijskim orkestrom Frankfurtskog radija i Dmitrijem Kitajenkom), te francuski \u201eArion\u201d i \u0161vedski \u201eIntim Musik\u201d.<\/p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nomus 2019. P r o g r a m: F. SCHUBERT: Sonata br.1 u D-duru, za violinu i klavir E. 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