{"id":3512,"date":"2019-02-21T09:03:22","date_gmt":"2019-02-21T08:03:22","guid":{"rendered":"http:\/\/muzickaomladina.org\/?post_type=event&#038;p=3512"},"modified":"2026-04-11T14:02:08","modified_gmt":"2026-04-11T13:02:08","slug":"gidon-kremer-kremerata-baltika-estonije-letonija-litvanija","status":"publish","type":"events","link":"http:\/\/muzickaomladina.org\/?events=gidon-kremer-kremerata-baltika-estonije-letonija-litvanija","title":{"rendered":"GIDON KREMER &#038; KREMERATA BALTICA (Estonija \/ Letonija \/ Litvanija)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><p>Nomus 2019.<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">P r o g r a m:<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">J. HAYDN:<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eSedam poslednjih Hristovih re\u010di\u201c, op.51 \/ Hob.III:50-56<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">***<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">D. \u0160OSTAKOVI\u010c:<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Guda\u010dki kvartet br.15, op. 144, verzija za kamerni orkestar<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p>Prodaja ulaznica i informacije u Muzi\u010dkoj omladini Novog Sada (Katoli\u010dka porta 2, tel. 021\/452-344), radnim danima od 8h do 14h, kao i dva sata pred po\u010detak koncerta na mestu odr\u017eavanja. On-line rezervacije i kupovina karata: <a href=\"http:\/\/online.muzickaomladina.org\/karte\/\/#\/login\">www.muzickaomladina.org<\/a><br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cene ulaznica:<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1.500,00 dinara parter sredina i galerija i 1.200,00 dinara parter sa strane<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p>Pokrovitelj festivala Nomus 2019. Grad Novi Sad<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p><iframe loading=\"lazy\" title=\"Piazzolla - Primavera porte\u00f1a from &quot;Cuatro Estaciones Porte\u00f1as&quot; (Gidon Kremer &amp; Kremerata Baltica)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/_BfmJpilvzE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p><strong>\u00a0GIDON KREMER<\/strong>, violina, Litvanija\/Nema\u010dka<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Koncertmajstor, umetni\u010dki direktor i osniva\u010d orkestra \u201eKremerata Baltika\u201c (Kremerata Baltica), bez sumnje je izgradio i jednu od najnekonvencionlnijih karijera. Njegovo solisti\u010dko koncertiranje i nastupi s najve\u0107im orkestrima u Evropi i Severnoj Americi pod vo\u0111stvom mnogih od najpoznatijih svetskih dirigenata, poput Kenta Nagana, Kristijana Tilemana i Kristofa E\u0161enbaha, izazivali su i danas privla\u010de podjednako divljenje kao i njegov neobi\u010dno \u0161irok i veoma raznolik repertoar, koji se prote\u017ee u punom luku od klasicisti\u010dkih i romanti\u010darskih majstorskih violinskih ostvarenja do muzike vode\u0107ih autora 20. i 21. veka. Veliki umetnik se tako\u0111e bori za promociju mnogih zna\u010dajnih dela aktuelnih ruskih i isto\u010dnoevropskih kompozitora, od kojih su neka i njemu posve\u0107ena. Mnogi od preko 120 umetnikovih albuma poneli su najpresti\u017enije me\u0111unarodne nagrade me\u0111u kojima su \u201eGrand prix du Disque\u201d, \u201eErnst von Siemens\u201c \u201eTriumph\u201d, \u201eUnesco\u201d, \u201eRolf Schock\u201d i \u201eArtur Rubinstein\u201d, kao i \u201ePraemium Impreriale\u201d iz 2016, koja se po zna\u010daju mo\u017ee uporediti s Nobelovom nagradom u muzici.<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">U godini svog 50. ro\u0111endana Kremer je osnovao kamerni orkestar \u201eKremerata Baltika\u201d sabran od izvanrednih mladih muzi\u010dara iz tri balti\u010dke dr\u017eave \u2013 Estonije, Litvanije i Letonije, koji je zajedno s njim, kao umetni\u010dkim direktorom, u sada ve\u0107 preko dve decenije dugoj istoriji gostovao na gotovo svim vode\u0107im festivalima i koncertnim doga\u0111ajima \u0161irom sveta. Smatra se jednim od najboljih kamernih orkestara dana\u0161njice.<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kremer svira na violini Nikole Amatija (Nicola Amati) iz 1641. \u010cetiri knjige, od kojih je poslednja iza\u0161la pod nazivom Pisma mladom pijanisti (Letters to a Young Pinist), prevedene na nekoliko jezika, odi\u0161u \u0161irinom njegovih umetni\u010dkih interesovanja i estetskih vidika.<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p><a href=\"http:\/\/muzickaomladina.org\/wp-content\/uploads\/2019\/02\/gidon-kremer-foto-manja.jpg\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" width=\"2464\" height=\"1632\" class=\"alignnone size-full wp-image-3513\" src=\"http:\/\/muzickaomladina.org\/wp-content\/uploads\/2019\/02\/gidon-kremer-foto-manja.jpg\" alt=\"\" srcset=\"http:\/\/muzickaomladina.org\/wp-content\/uploads\/2019\/02\/gidon-kremer-foto-manja.jpg 2464w, http:\/\/muzickaomladina.org\/wp-content\/uploads\/2019\/02\/gidon-kremer-foto-manja-300x199.jpg 300w, http:\/\/muzickaomladina.org\/wp-content\/uploads\/2019\/02\/gidon-kremer-foto-manja-768x509.jpg 768w, http:\/\/muzickaomladina.org\/wp-content\/uploads\/2019\/02\/gidon-kremer-foto-manja-1024x678.jpg 1024w, http:\/\/muzickaomladina.org\/wp-content\/uploads\/2019\/02\/gidon-kremer-foto-manja-958x635.jpg 958w\" sizes=\"auto, (max-width: 2464px) 100vw, 2464px\" \/><\/a><\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p><strong>KREMERATA BALTIKA<\/strong>, kamerni orkestar, Letonija\/Litvanija\/Estonija<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ubrzo nakon osnivanja 1997. ansambl je predstavljen na \u010duvenom austrijskom Festivalu kamerne muzike u Lokenhauzu, gde je energi\u010dan orkestarski nastup 27 mladih muzi\u010dara iz zemalja Baltika osvojio zahtevnu publiku. Sa sedi\u0161tem u Rigi i potporom vlada triju zemalja, orkestar prire\u0111uje \u0161ezdesetak koncerata godi\u0161nje, sviraju\u0107i \u0161irom Evrope, Azije i sve tri Amerike. Redovno nastupa u najve\u0107im salama Be\u010da, Berlina, Pariza, Londona, Moskve, Njujorka, u\u010destvuje na renomiranim festivalima u Salcburgu, \u0160lezvig-Hol\u0161tajnu, Verbijeu, Drezdenu, Baden-Badenu, Monpeljeu, na \u201ePra\u0161kom prole\u0107u\u201c, Bi-Bi-Sijevom \u201ePromsu\u201c u Londonu. Me\u0111u \u010duvenim solistima s kojima je sara\u0111ivao, bili su sopran D\u017eesi Norman, pijanisti Mihail Pletnjov, Jevgenij Kisin, Danil Trifonov i Oleg Majzenberg, violinisti Tomas Ceetmajer, Lisa Batija\u0161vili, Patricija Kopa\u010dinska i Vadim Rjepin, violon\u010delisti Boris Pergamen\u0161ikov, David Geringas, Hajnrih \u0160if, Mi\u0161a Majski i Jo Jo Ma, dirigenti ser Sajmon Retl, Esa-Peka Salonen, Kristof E\u0161enbah, Kent Nagano, Hajnc Holiger, Roman Kofman, Saulijus Sondeckis, i Vladimir A\u0161kenazi, svaki od njih na svoj na\u010din doprinose\u0107i oblikovanju specifi\u010dnog kamernog zvuka ansambla. U 2013. ansambl i njegov umetni\u010dki rukovodilac zapo\u010deli su saradnju s \u010duvenim ruskom imitatorom Slavom Polunjinom i njegovom \u201eAkademijom budala\u201d, a dve godine kasnije i sa slikarom, polemi\u010darem i filozofom Maksimom Kantorovim u projektu \u201eMuzika i lica\u201c, da bi najnoviju sinergiju ostvarili sa sirijskim umetnikom Nizarom Ali Badrijem (Nizar Ali Badri) u prikazivanju dramati\u010dnih doga\u0111aja na Bliskom istoku i aktuelnog problema izbeglica.<br \/><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Svoju 20-godi\u0161njicu od osnivanja \u201eKremerata Baltika\u201c i Kremer proslavili su \u0161irom sveta, obilaze\u0107i Bliski istok, Aziju i brojne evropske gradove, uz solisti\u010dko u\u010de\u0161\u0107e Marte Argeri\u010d, Katje Bunijati\u0161vili i nekoliko mladih zvezda u usponu. Na po\u010detku sezone 2018\/19. s podjednakim interesovanjem su ih do\u010dekali i na festivalima u Letoniji, koncertu u Dablinu i Moskvi, zatim u \u0160vajcarskoj, Nema\u010dkoj i Engleskoj, da bi kraj 2018. zaokru\u017eili gostovanjem u Litvaniji (Klaipeda i Viljnus) i Italiji. Prole\u0107ni deo sezone zapo\u010deli su programom \u201eTango\u201c predstavljenim u Berlinu, a s projektom \u201ePoslednje re\u010di\u201d, s delima Jozefa Hajdna i Dmitrija \u0160ostakovi\u010da, nastupaju pored Nomusa (na koji dolaze posle osam godina drugi put) i u Beogradu i Zagrebu, kao i na Festivalu u Kuenki, u istoimenoj \u0161panskoj pokrajini. Ostvarili su veliki broj tonskih zapisa. Disk Posle Mocarta, u izdanju ku\u0107e \u201eNonesuch\u201c, osvojio je 2002. nagradu \u201eGremi\u201c.<\/p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><p>&nbsp;<\/p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nomus 2019. P r o g r a m: J. HAYDN: \u201eSedam poslednjih Hristovih re\u010di\u201c, op.51 \/ Hob.III:50-56 *** D. 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