{"id":3299,"date":"2018-10-30T13:23:37","date_gmt":"2018-10-30T12:23:37","guid":{"rendered":"http:\/\/muzickaomladina.org\/?post_type=event&p=3299"},"modified":"2026-04-11T14:02:08","modified_gmt":"2026-04-11T13:02:08","slug":"ansambl-ligeti-madjarska","status":"publish","type":"events","link":"http:\/\/muzickaomladina.org\/?events=ansambl-ligeti-madjarska","title":{"rendered":"Ansambl „Ligeti“ (Ma\u0111arska)"},"content":{"rendered":"\n

Dirigent i umetni\u010dki rukovodilac: Zoltan RAC<\/strong> (R\u00e1cz Zolt\u00e1n)
<\/p>\n\n\n\n

Solisti:
<\/p>\n\n\n\n

Jo\u017eef Balog<\/strong> (Balog J\u00f3zsef), Zoltan Fejervari<\/strong> (Fej\u00e9rv\u00e1ri Zolt\u00e1n), klavir
<\/p>\n\n\n\n

Miklo\u0161 Luka\u010d<\/strong> (Luk\u00e1cs Mikl\u00f3s), cimbal
<\/p>\n\n\n\n

Program: Bartok, Ligeti, Kurtag, Etve\u0161
<\/p>\n\n\n\n

**
<\/p>\n\n\n\n

Koncert se realizuje u saradnji s Ambasadom Ma\u0111arske, Institutom \u201eCollegium Hungaricum\u201d i Akademijom umetnosti u Novom Sadu
<\/p>\n\n\n\n

Ulaz je slobodan!<\/strong>
<\/p>\n\n\n\n

***
<\/p>\n\n\n\n

Koncertni program Ansambla \u201eLigeti\u201c \u010dine kompozicije \u010detiri najve\u0107a stvaraoca XX i XXI veka ma\u0111arske muzike: Bartoka, Ligetija, Kurtaga i Etve\u0161a. \u010cetiri kompozitora su me\u0111usobno povezana mnogim nitima. Profesor klavira \u0110er\u0111a Kurtaga bio je Bartokov u\u010denik. Izme\u0111u 1948. i 1950. godine \u0110er\u0111 Ligeti je napisao vi\u0161e studija o Bartoku, a u njegovim delima iz mla\u0111ih dana znatno se ose\u0107ao Bartokov uticaj. Prijateljstvo Ligetija i Kurtaga, koje je trajalo skoro \u0161est decenija, smatra se jednim od najlep\u0161ih poglavlja u istoriji ma\u0111arskog muzi\u010dkog stvarala\u0161tva. Petar Etve\u0161 je dirigovao bezbroj premijernih izvo\u0111enja Ligetija i Kurtaga, kao i evropske i ameri\u010dke premijere i dr\u017eao vi\u0161e kurseva na kojima je analizirao Kurtagove radove.
<\/p>\n\n\n\n

Prvu kompoziciju dana\u0161njeg koncerta \u0110er\u0111 Kurtag \/ Kurt\u00e1g Gy\u00f6rgy (1926) je napisao u svom domu, nakon du\u017eeg boravka u inostranstvu. U Parizu, a posle i u Kelnu upoznao se s muzikom XX veka, koja se razlikovala od Bartokovog stvarala\u0161tva, \u0161to je imalo presudan zna\u010daj na njegov stil tako da je Kurtag u celosti redefinisao svoje stvarala\u0161tvo. Razvio je ta\u010dniju i \u010distiju kompozitorsku tehniku, \u010diji je prvi zna\u010dajniji plod bio Duva\u010dki kvintet<\/strong><\/em>. Kompozicija od osam kratkih stavova zahteva od izvo\u0111a\u010da visoku tehni\u010dku spremnost. Motive kreiraju snaga pokreta i emocionalni sadr\u017eaj.
<\/p>\n\n\n\n

Kao drugu kompoziciju \u010du\u0107emo Sonatu za dva klavira i perkusije<\/em><\/strong> Bele Bartoka \/ Bart\u00f3k B\u00e9la (1881\u20131945), koja je prvi put izvedena u Bazelu 1938. godine. Bio je to prvi zajedni\u010dki nastup Bartoka i njegove supruge Dite Pastori. Danas ve\u0107 kultni opus ostvario je ogroman uspeh i pre osamdeset godina. Po\u010dinje sporim uvodom da bi se pretopio u komplikovaniji, odlu\u010dniji ritam. Bartokova preciznost je bila neverovatna. Uvek je nosio sa sobom metronom kako bi proveravao tempo, \u010dak i onda kada je i on li\u010dno svirao. Klaviru se pridru\u017euju timpan, bubanj, \u010dinele, dobo\u0161, tamtam, triangl i ksilofon.
<\/p>\n\n\n\n

Program se nastavlja s Ligetijem. Postoji dobar razlog ako se jedno delo izvodi toliko puta kao Kamerni koncert<\/strong> <\/em>\u0110er\u0111a Ligetija \/ Ligeti Gy\u00f6rgy (1923\u20132006). \u0160tavi\u0161e, u na\u0161em slu\u010daju postoje \u010dak tri razloga. Prvo, re\u010d je o jednom izuzetnom komadu, koji uprkos svojoj komplikovanosti podjednako osvaja i izvo\u0111a\u010da i slu\u0161aoca; drugi razlog je ni\u0161ta manje va\u017ena \u010dinjenica da Ligeti svaki instrument tretira kao da ima solo deonicu, svaka fraza sadr\u017ei nezaboravan motiv, svaki muzi\u010dar se ose\u0107a kao solista; tre\u0107i razlog je da se melodije istovremeno prepli\u0107u, stvaraju hipnoti\u010dan i dramski efekat, u kojem nastaje \u201eLigetijev zvuk\u201c kome se i dan danas divimo.
<\/p>\n\n\n\n

Na kraju se izvodi delo Petera Etve\u0161a \/ E\u00f6tv\u00f6s P\u00e9ter (1944) Da kapo<\/strong><\/em> (Da capo). Naslov kompozicije zna\u010di ponavljanje i novi po\u010detak. Po\u010detni muzi\u010dki motivi su fragmenti iz Mocartovih bele\u0161ki, muzi\u010dke ideje koje su zahtevale dodatnu izradu, koje Etve\u0161 prvo saop\u0161tava u \u201eprepoznatljivom\u201c obliku da bi ih kasnije razvijao i preoblikovane ponavljao. Pri izboru solo instrumenta kompozitora je inspirisalo izvo\u0111enje Miklo\u0161a Luka\u010da, uprkos tome \u2013 ili mo\u017eda ba\u0161 iz tog razloga \u2013 \u0161to se cimbal u 18. veku nije pojavljivao na koncertnom podijumu.<\/p><\/p>\n\n\n\n

Ansambl \u201eLigeti\u201c<\/strong> je oformljen u maju povodom obele\u017eavanja 95. godi\u0161njice ro\u0111enja \u0110er\u0111a Ligetija, a s ciljem negovanja najbolje tradicije ma\u0111arske muzi\u010dke umetnosti, kao i predstavljanja novih muzi\u010dkih dela. Umetni\u010dke vo\u0111e su Andra\u0161 Keler i Zoltan Rac, koji smatraju da je \u201eLigeti takva zvezda moderne muzike da se nikada ne\u0107emo izgubiti ako je pratimo\u201c.
<\/p>\n\n\n\n

Dirigent i umetni\u010dki direktor ansambla, ujedno i perkusionista, jeste Zoltan Rac<\/strong>. Rac je \u010dlan ansambla \u201eAmadinda\u201d, kao i jedan od inicijatora ponovnog formiranja Asocijacije nove ma\u0111arske muzike (1997), \u010diji je davni inicijator bio Bela Bartok. Bio je, osamdesetih godina pro\u0161log veka, \u010dlan Novog muzi\u010dkog studija, za \u010dije ime se vezuju ma\u0111arske premijere brojnih modernih komada, kao \u0161to su dela Ligetija i Stiva Rajha.
<\/p>\n\n\n\n

Pijanista Jo\u017eef Balog<\/strong> je svoju reputaciju stekao kao izvo\u0111a\u010d Listovih dela da bi se u poslednjih deset godina njegovo interesovanje preusmerilo ka modernoj muzici. Tako je ovaj umetnik postao jedan od priznatijih izvo\u0111a\u010da Bartokovih kompozicija. Pijanista Zoltan Fejervari<\/strong> je nagra\u0111ivan na vi\u0161e me\u0111unarodnih takmi\u010denja i pobednik je Montrealskog me\u0111unarodnog takmi\u010denja 2017. godine. Studije je zavr\u0161io u Budimpe\u0161ti i Madridu, a me\u0111u njegovim profesorima je i \u0110er\u0111 Kurtag. Miklo\u0161 Luka\u010d<\/strong> je svestrani umetnik, cimbalista, majstor svog instrumenta. Svira narodnu, klasi\u010dnu, modernu i d\u017eez muziku. Jedan je od inicijatora i \u010dlanova \u017eirija Prvog me\u0111unarodnog cimbalskog takmi\u010denja.<\/p><\/p>\n","protected":false},"excerpt":{"rendered":"

Dirigent i umetni\u010dki rukovodilac: Zoltan RAC (R\u00e1cz Zolt\u00e1n) Solisti: Jo\u017eef Balog (Balog J\u00f3zsef), Zoltan Fejervari (Fej\u00e9rv\u00e1ri Zolt\u00e1n), klavir Miklo\u0161 Luka\u010d […]<\/p>\n","protected":false},"featured_media":3300,"template":"","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"event_category":[],"event_status":[],"class_list":["post-3299","events","type-events","status-publish","has-post-thumbnail","hentry","past-event"],"acf":{"imic_event_start_dt":"20181127","imic_event_start_tm":"20:00:00","imic_event_address":"Sinagoga, Jevrejska 9, Novi Sad","venue":null,"price":"","get_tickets_link":""},"uagb_featured_image_src":{"full":["http:\/\/muzickaomladina.org\/wp-content\/uploads\/2018\/10\/Ligeti3.jpg",1388,925,false],"thumbnail":["http:\/\/muzickaomladina.org\/wp-content\/uploads\/2018\/10\/Ligeti3-150x150.jpg",150,150,true],"medium":["http:\/\/muzickaomladina.org\/wp-content\/uploads\/2018\/10\/Ligeti3-300x200.jpg",300,200,true],"medium_large":["http:\/\/muzickaomladina.org\/wp-content\/uploads\/2018\/10\/Ligeti3-768x512.jpg",768,512,true],"large":["http:\/\/muzickaomladina.org\/wp-content\/uploads\/2018\/10\/Ligeti3-1024x682.jpg",1024,682,true],"1536x1536":["http:\/\/muzickaomladina.org\/wp-content\/uploads\/2018\/10\/Ligeti3.jpg",1388,925,false],"2048x2048":["http:\/\/muzickaomladina.org\/wp-content\/uploads\/2018\/10\/Ligeti3.jpg",1388,925,false],"grid_22_10":["http:\/\/muzickaomladina.org\/wp-content\/uploads\/2018\/10\/Ligeti3.jpg",450,300,false]},"uagb_author_info":{"display_name":"Bojan Kvrgi\u0107","author_link":"http:\/\/muzickaomladina.org\/?author=0"},"uagb_comment_info":0,"uagb_excerpt":"Dirigent i umetni\u010dki rukovodilac: Zoltan RAC (R\u00e1cz Zolt\u00e1n) Solisti: Jo\u017eef Balog (Balog J\u00f3zsef), Zoltan Fejervari (Fej\u00e9rv\u00e1ri Zolt\u00e1n), klavir Miklo\u0161 Luka\u010d […]","_links":{"self":[{"href":"http:\/\/muzickaomladina.org\/index.php?rest_route=\/wp\/v2\/events\/3299","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/muzickaomladina.org\/index.php?rest_route=\/wp\/v2\/events"}],"about":[{"href":"http:\/\/muzickaomladina.org\/index.php?rest_route=\/wp\/v2\/types\/events"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/muzickaomladina.org\/index.php?rest_route=\/wp\/v2\/media\/3300"}],"wp:attachment":[{"href":"http:\/\/muzickaomladina.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3299"}],"wp:term":[{"taxonomy":"event_category","embeddable":true,"href":"http:\/\/muzickaomladina.org\/index.php?rest_route=%2Fwp%2Fv2%2Fevent_category&post=3299"},{"taxonomy":"event_status","embeddable":true,"href":"http:\/\/muzickaomladina.org\/index.php?rest_route=%2Fwp%2Fv2%2Fevent_status&post=3299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}