Sonate za dve violine iz 18. veka
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ANTOINETTE LOHMANN<\/strong>, barokna violina (Holandija) Ansambl \u201eTEMPERA BAROCCA\u201c<\/strong> (Srbija): Danilo Novakovi\u0107<\/strong> \u2013 barokna violina, \u0110or\u0111e Milo\u0161evic<\/strong> \u2013 barokno violon\u010delo i Lana Jelenkovi\u0107<\/strong> \u2013 \u010dembalo<\/p><\/p>\n\n\n\n Program: sonate za dve violine iz 18. veka: Antonio Vivaldi, Arcangelo Corelli, Jean-Fery Rebel, Marin Marais…<\/p><\/p>\n\n\n\n ULAZ NA KONCERT JE SLOBODAN!<\/p><\/p>\n\n\n\n O programu: Zanimljivost ovog programa le\u017ei kako u dramati\u010dnim razlikama ova dva nacionalna stila tako i u suptilnim ali nikad do kraja poravnatim sli\u010dnostima. Tako\u0111e, ovim programom \u017eelimo da suprotstavimo i termine modernog muzi\u010dkog vokabulara \u2013 \u201enezaslu\u017eeno retko izvo\u0111en repertoar\u201c i \u201enajpopularnije stranice epohe\u201c \u2013 jer takva (ispravna) verbalizacija je neizbe\u017ena kada na istom koncertu \u010dujemo nepoznatu sonatu \u017dan-Ferija Rebela i Vivaldijevu varijantu teme La follia. Pa ipak, pri\u010dali o \u201esuptilnosti\u201c i \u201eizbalansiranosti\u201c francuskog stila ili \u201evatrenosti\u201c i \u201enagla\u0161enoj dramaturgiji\u201c italijanske melodije, zajedni\u010dka adresa ove debate bi bio vrhunski estetski do\u017eivljaj, dubina emotivnog sadr\u017eaja, slojevitost pripovedanog materijala. Isto tako, \u201esonata za dve violine\u201c, bilo da se radi o italijanskom ili francuskom kompozitoru, predstavlja zanimljivu \u201emuzi\u010dku re\u017eiju\u201c. Za razliku od sonata za jedan instrument, gde je solista \u010desto izlo\u017een tretmanu primadone a ansambl skrajnut u tamni kutak, u sonatama za dve violine tehnika komponovanja i tretman instrumenata ima prave odlike kamerne muzike, kako u smislu raspodele muzi\u010dkog materijala, tako i konstantne isprepletenosti deonica zahvaljuju\u0107i fugiranoj ili kontrapunktskoj metodi komponovanja.<\/p><\/p>\n\n\n\n Antoanet Loman<\/strong> (Antoinette Lohmann) je ro\u0111ena 1969. godine u Amsterdamu (Holandija). Studirala je violinu kod \u017dan-Luja Stiropa (Jean-Louis Stuurop), violu kod Ester van Stralen (Esther van Stralen) i baroknu violinu kod Lusi van Dejel (Lucy van Dael) na Amsterdamskom konzervatorijumu. Od 1997. ova umetnica je fokusirana na istorijsku praksu izvo\u0111a\u0161tva \u2013 od ranog baroka do kasnog XIX veka, na violini, violi, tenor violi i violi da more. Za izdava\u010dku ku\u0107u \u201eChallenge Records\u201c snimila je kompakt-disk sa sonatama za fortepijano i violinu Jozefa Martina Krausa (Joseph Martin Kraus), koji osvaja odli\u010dne kritike u holandskoj i inostranoj \u0161tampi. U saradnji sa ansamblom \u201eCapella Figuralis\u201c snimila je nekoliko tonskih izdanja, uglavnom barokne muzike Severne Evrope, uklju\u010duju\u0107i i Bukstehudeov ciklus Membra Jesu nostri i prvu verziju Bahove Pasije po Jovanu. Od ostalih snimaka, tu su jo\u0161 i tri kvarteta za guda\u010dki trio i fagot Franca Dancija (Franz Danzi) i dva kvarteta za dve viole, \u010delo i fagot Franca Kramera (Franz Cramer), kao i nedavno objavljen kompak-disk s delima holandskih kompozitora XVII veka. Antoanet je tako\u0111e i koncertmajstor ansambla \u201eUtrechts Barok Consort \u201d, koji veliku pa\u017enju posve\u0107uje izvo\u0111enju manje poznatih opera i oratorijuma iz XVII i XVIII veka. S ovom grupom nedavno je izvela i svoju li\u010dnu rekonsrukciju Bahovog Koncerta za violu. Redovno nastupa s ansamblima \u201eMusica Temprana\u201c (ju\u017enoameri\u010dka barokna\/folk muzika), \u201eSchonbrunn\u201c i \u201eDutch Bach Society\u201c. Antoanet predaje baroknu violinu i baroknu violu na Muzi\u010dkom konzervatorijumu u Utrehtu (Holandija).<\/p><\/p>\n\n\n\n Ansambl \u201eTempera Barocca\u201c<\/strong>, u sastavu Danilo Novakovi\u0107 \u2013 barokna violina, \u0110or\u0111e Milo\u0161evic \u2013 barokno violon\u010delo i Lana Jelenkovi\u0107 \u2013 \u010dembalo, osnovan je 2007. godine. Specifi\u010dnost autenti\u010dnih instrumenata \u2013 \u0161iroki spektar njihovih kolorativnih, akusti\u010dkih i dinami\u010dkih kvaliteta, navela je \u010dlanove ansambla da prodube svoja interesovanja za svetsku muzi\u010dku ba\u0161tinu. Programi koncerata ansambla sadr\u017ee kako retko izvo\u0111ena dela renesanse i ranog baroka tako i XX veka. Upravo s takvom muzi\u010dkom idejom, ansambl je u avgustu 2013. godine u\u010destvovao na festivalu \u201ePortoheli\u201d u Gr\u010dkoj, a zatim i na dva koncerta u Nema\u010dkoj (Nirnberg i Wirzburg) u decembru iste godine. Naredne godine usledio je resital na festivalu \u201eInterfest Bitola\u201c u Skoplju, kao i dva projekta: Zlatno doba flamanskog baroka, koji je predstavljen na koncertima u Beogradu i Pan\u010devu i Registar koji nedostaje, izveden pred publikom u Beogradu i Subotici. Godine 2015. ansambl je uspe\u0161no realizovao projekat Stilus fantastikus \u2013 izvo\u0111a\u010d kao narator u Beogradu, Obrenovcu i Zrenjaninu, kao i u okviru Festivala rane muzike u Beogradu. U ovoj godini, uz podr\u0161ku Sekretarijata za kulturu Grada Beograda, \u201eTempera Barocca\u201c realizuje projekat Rariora i marginalie s baroknom muzikom Ju\u017ene Amerike, Skandinavije i \u010ce\u0161ke. Pod pokroviteljstvom Ministarstva za kulturu Republike Srbije do kraja godine odr\u017ea\u0107e seriju koncerata s eminentnim evropskim solistima i stru\u010dnjacima za barok iz Holandije i Nema\u010dke.<\/p><\/p>\n","protected":false},"excerpt":{"rendered":" Sonate za dve violine iz 18. veka ANTOINETTE LOHMANN, barokna violina (Holandija) Ansambl \u201eTEMPERA BAROCCA\u201c (Srbija): Danilo Novakovi\u0107 \u2013 barokna […]<\/p>\n","protected":false},"featured_media":2238,"template":"","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"event_category":[],"event_status":[],"class_list":["post-2237","events","type-events","status-publish","has-post-thumbnail","hentry","past-event"],"acf":{"imic_event_start_dt":"20161109","imic_event_start_tm":"20:00:00","imic_event_address":"Gradska ku\u0107a - 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